Acquire the bare essentials with the intent to equip later when we have gained some experience. The most expensive equipment is often the best. We can, however, to begin a test or do not, buy only the essentials.
FEW-COLOR:
Titanium White, Cadmium Yellow (dark), vermilion, Sienna, madder or Carmine, Blue Ceruleum, Ultramarine Blue, Emerald Green, Ivory Black.
-PALLET:
-wood preference, or a board that can be oiled or varnished to prevent oil color from sinking into the wood.
-A container of glass or metal (type palette cup) for Medium ... A liquid-type
White spirit for rinsing brushes.
-rags to wipe the brushes.
-MID:
Consider a painting medium of commerce, or rectified turpentine oil or a medium of its manufacture, clarified linseed oil, preferably of Linseed to which we add the fuel oil or turpentine in the following proportions:
Essence 2 shares + 1 part oil. (Care should be taken not to exceed 2 parts oil in the mixture) a medium too fat prevents the colors harden properly.
-BRUSHES:
hard to choose when we started, many varieties are available commercially. Choosing a brush is nevertheless important because the manner of painting depends on the most expensive, remain the best. The quality of the brushes depends on a lot of hair.
(marten, badger, pig bristles, Beautiful white hair, artificial mixed).
A fine, gives a soft brush and a soft rendering of the button, then a brush to give a rough coat made of heavier touch and a touch stronger. Three sizes
enough to start a fine brush, a tool, a big one. Intermediate sizes are to be completed as and when their needs and renderings are desired.
-MEDIA:
They are many and varied:
Wood (see wood support), or papers prepared canvas boards, stretched some canvas, cotton or synthetic, linen course, but more expensive. For some tests
why not use sheets of drawing paper coated with an acrylic primer or vinyl.
-PALETTE:
It may be rectangular or oval. He provided an opening for the thumb, it is better to take large enough to be able to have enough room to make the mixtures. it can be easily replaced by a simple wooden plank that we will have taken care to oil or linseed varnish. It will be necessary to keep the colors pure and clean regularly using the palette knife, gasoline oil.
-BRIDGES:
From outside, comes with three legs that can be planted in the ground for better stability, folding it is easy to carry.
Easels shop essential, it can paint standing as sitting, and paint large canvases.
- BUCKETS OF PADDLE:
These buckets are fixed on the pallet, can be double or single, with or without lids. A bucket used for gasoline for a second painting medium. It is often helpful to clean by soaking in petroleum oil, a medium to paint with age thickening which can become annoying. (A glass container is useful for rinsing brushes).
BASIC TECHNIQUES TO DEVELOP PRIOR
:
-Decide if you will paint on the white support, or if we will start by tinting.
(See surface preparation). Decide whether to support its composition using a drawing or not. Of these reflections depend on the final rendering.
STEP 1:
-Reporter or not drawing on the support?
If we decide to rely on a drawing, it will run with paint diluted with turpentine or gasoline or oil to acrylic, ink, felt, indelible to prevent dirt that muteraient in paint, charcoal, chalks, pastels, provided the setting can also be used.
"Fat over lean."
-Start by applying color heavily diluted with turpentine or gasoline or oil with a color acrylic or vinyl. This is the start painting using a painting as lean as possible, then it is up layer upon layer, adding a little fat as and when the execution if necessary. Start too fat to prevent the colors and the hardened paint layers would be affected.
2ND STAGE:
Distribute light and dark values on the whole composition, using tones always fluids to color each part of its phased array.
The depth of tone achieved is revealed by the previous layer, coatings and opaque colors are placed last.
(A more medium, rich in oil, will be used as and without excess layers).
Continuing Execution:
Ensure deadlines drying, more exactly curing of the paint layer, (In some cases, shorter or longer) to allow rework.
Once the paint dries on the finger (not sticky), we can spray a varnish coating to be improved for the resumption of performance optimization grip the upper layers between them and good cohesiveness.
Avoid too pasting from the beginning and try to keep up with the performance his character fresh direct and spontaneous, while trying to find his
"writing."
NOTES:
"JUICE". This is a very large fuel paste which is applied to the underside only.
"SEMI-PASTE." This is the transition between the juice (very diluted paint to gasoline) and the impasto (thick paint more or less fat).
"Empat "The paint is diluted slightly or not at all, there is a risk, if the dough is too oily or too lean, crack.
0 comments:
Post a Comment