OIL FOR THE KNIFE.
-KNIVES PAINT:
Their blades are thin, shape very varied, their long handle, and are used to apply paint directly on the support. Their use gives a different result compared with brushes. They can work in thick or very thin with many details. You can get a paint surface smooth, but the application of thick paint can also leave traces diverse and varied depending on the direction of the set, the pressure applied and the knife used.
-THE KNIFE BLADE:
They are straight, wedge-shaped or trowels, their sleeves are shorter than the palette knife. A flexible blade steel are used to mix colors on the palette.
TECHNICAL
The knife painting requires working keys by vigorous and confident, you can work the impasto paint color by squeezing against the support for flat surfaces and regular, lined with rows and contours in relief.
The appearance of each print depends on:
-The amount of paint.
-force pressure.
The direction of the button.
-The shape of the knife.
To avoid cracking during drying, do not put too thickly.
.
STEP 1:
- Make your mix of colors in a palette knife.
- coarsely Mix colors with each other.
- Butt paste to obtain a homogeneous mixture.
- Scrape the mixture with the knife.
- Spread it on the palette.
As if you prepare the plaster, repeat operation until the desired consistency.
STEP 2: Take
-paint with the posterior side of your knife.
STEP 3: Press the
-knife on the canvas slightly by raising one of the edges of the knife as if you butter a slice.
Always have handy a roll of paper towels to clean the knife between each color application.
DRAWING THE KNIFE
You can draw with the tip and the knife edge.
WITH SHARP
Mark lines on the wet paint with the knife edge.
Draw lines by depositing the paint with the edge.
WITH POINT
Sculpt some details in the wet paint with a knife pointed tip.
Leave footprints rounded (to include tiles or scales) with a knife
round tip.
Applying the color to represent the cutting edge details.
To start, use only 3 knives to paint: A
first with a blade wide enough for solids, a second finer pointed toe and a third blunt.
The knife is actually a small trowel which was used initially to mix the color on the palette and spread large areas of material on the web. In recent years, artists use it as a unique tool of work.
the flat edge, tip and varying the pressure. Since, in this technique, we work a lot "alla prima" (before the first layers of paint are dry), the difficulty is not to mix colors by juxtaposing them, there is, in my opinion, a great difficulty in this technique: the first step must often be good not having to mess up the color and the desired effect.
The knife, a kind of flexible steel trowel whose shapes are different, lets paint who share its reliefs catches the light and brings life to the table. It is possible to find instruments work very close and most innovative credit card as a cut or make personal tools in a plastic cover packaging for example.
can ask the paint with the underside of the blade mass synthetic make juxtapositions, overlays, fades, glazes but also by using the tip of the handle wafer and even make infinite effects.
This knife painting more "rough" than the classic work tells of the brush and the brush allows the artist to develop a personal style and powerful which can sometimes be very elaborate.
This technique requires a simple or complicated learning curve before reaching a personal style and a mastery of his own "kitchen" pictorial.
worked on raw canvas, colored or sketched, sometimes the colors are mixed directly on the canvas, impasto, for single layers (technical "removed" very energetic and spontaneous) or successive more or less thick.
can also work when the material is dry or in the half-charge, for sanding, scratching, carving or scratching some part and can be used layers or underlying colors. In a number of technical sessions the knife is a means not an end it is always the artist who decides. Some
"finish" decided by the artist are sometimes made with a brush for glazing and detail.
Yet even if the density of touch and a certain richness in the work area may suggest the retail audience, it is an illusion, because it can be "Finish with a knife," irregular and imprecise that gives magic and expressiveness of this technique. We can decide to keep a visible imprint modulated instrument in the field so that the reliefs catch the light, or just have a very complex texture with no prominent relief.
paint textures, but gestural painting, knife painting allows a very abstract approach of the subject, merely a suggestion of things or even a very evocative name. This work
of the matter is primarily a means of bringing out the feelings and impressions of the artist.
The knife, a kind of flexible steel trowel whose shapes are different, which makes a painting, for his reliefs, catches the light and brings life to the table.
This knife painting, more "rough" than the force says classical brush and brush, allows the artist to develop a personal style and powerful can sometimes be very elaborate, it is a technical suggestion, emotions and feelings. Ask
painting with the underside of the knife, juxtapositions, fades, glaze.
Use the tip, slice and even the neck.
Conduct infinite effects.
is a painting of textures, but also a gestural painting.
painting knife allows both a highly abstract approach to the subject, figurative with a suggestion of things.
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